Easter Poppin' Fine Art Easter Camp

What an array of beautiful art our budding Artists created this week and last in our Easter Poppin' Fine Art Camp for older kids. Inspired by the Great Works of some of the world’s most famous (and memorable) artists, students painted marvelous paintings that magically sprang into life as a 3D scene when opened! We couldn’t believe our eyes as we saw their amazing creations come to life during our busy camp classes with Mr. Cannon and Miss Kass.

Lucie carefully paints her background while Mikaela designs her cut-out pieces based on reference. 

So what is a 'pop-up'? And how do we create these beautiful books? Firstly, our students carefully study their chosen piece of art. Then, after considering choices in line, tone, composition and structure, they begin to sketch out their ideas. Once they are happy with their work, they begin to cut out the pieces which will 'pop' and paint in the background, which is a separate piece that has been pre-creased in the middle, to give the illusion of a 'room' or space. 

Isabelle carefully cuts out part of her 'pop-up' layer:

Finally, using carefully positioned tabs and structural elements similar to those used in pop-up greeting cards and children's books, our students learned how to engineer and construct 'moving' art, creating the illusion of 'life' and 'story' within their chosen painting. 

Bedroom in Arles (1888)
Vincent Van Gogh, Oil on Canvas

The work of Vincent Van Gogh inspired some of our young artists, who looked to his famous works Bedroom in Arles (1888) and The Starry Night (1889) for inspiration. Mathilde chose Bedroom in Arles as her starting point, and recreated the famous scene using techniques she learned in Mr. Cannon's camp class. 

Mathilde's background was created by first mimicking the delicate wood-grain of Van Gogh's bedroom floor, which she chose to recreate in a wonderful green tint - a choice which we felt really captured the dreamy, whimsical mood of the original painting. Notice how she has tried to maintain the overall integrity of the original while still injecting some of her own personal style into her pop-up book: a fire-engine red table, for example. We think Mathilde may have a bright future ahead as a furniture designer! 

Mathilde recreated Van Gogh's famous bedroom painting with her own stylistic flair.

Meanwhile, Kristy decided to use Edvard Munch's The Scream (1893) as inspiration for her pop-up book. The Scream is one of Much's best known paintings, and also one of the most famous works in the History of Art. Munch created The Scream right around the end of the 19th century, also known as Fin de siécle - a time when Van Gogh was also painting one of his most famous works, The Starry Night. 

The Scream
Edvard Munch, 1893

Both Vincent Van Gogh and Munch are considered to be pioneering artists in the expressionist movement which began in the early 20th century. They wanted to explore art as a way of expressing inner feelings and thoughts - even if it looked a little abstract. Colour was very important - and it had meaning for the artist and how they felt while they were painting. 

Sometimes, they might create a 'series' of paintings, if they wanted to show a variety of 'moods' in the one work. Did you know that Munch actually painted three Scream paintings? Each one differs slightly in the use of colour and tonality, but all three feature the same, silently screaming figure on an isolated bridge. We still don't know for sure exactly what inspired Munch to create his famous painting, but we had a wonderful time studying and learning techniques from one of the forefathers of Expressionist Art.

We really loved Kristy's bold choice of colour in her final pop-up book. She chose a fiery palette of reds, flint and black to capture the sense of torment and unrest suggested by the pose of the character in the original piece. With Mr. Cannon's help, she carefully designed and cut out the bridge seen behind the figure (what a great idea!) as well as the figure itself, to add extra depth and dimension to the piece. We really think it pops. Great job, Kristy!

Kristy was inspired by Edvard Munch's The Scream (1893) for her beautiful pop-out book

Still Life with Skull, Leeks and Pitcher
Pablo Picasso (1945)

Pablo Picasso was a firm favourite with our budding fine artists. Picasso was an extremely influential artist during the twentieth century, and continues to inspire illustration and fine art works even today. He is considered to be one of the most important artists of the century, not least because of his revolutionary approach to perspective, depth and space in his work - a concept that would come to be called the Cubist movement. Picasso's style was characterised by strong, graphic lines, chunky shapes and an almost child-like quality that gave his work a vibrancy and sense of life that had never been shown in that way before. 

Guernica (1937)
Pablo Picasso

People most often associate Picasso with this style, for which he is the most famous. His epic painting Guernica (1937) - inspired by the tragedy of the Spanish Civil War -  is one of the most instantly recognisable (and beautiful) examples of Cubist art that we have today. Even though Picasso is most often associated with broken planes of perspective (or eyes and ears in funny places!) he didn't actually start out that way. 

The Old Fisherman (Salmerón) (1895)
Pablo Picasso 

Did you know that before he began painting in what was to become his revolutionary Cubist style, Picasso actually trained as a traditional fine artist? It's true! His early paintings are influenced by Renaissance artists  and depict his favourite subjects (portraits and religious themes) in very traditional media and approach. Look at his early painting, The Old Fisherman (Salmerón) from 1895. 

It is a beautiful painting, but it lacks the movement, life, intensity that his much later work Guernica captures. Can you see the difference? Imagine how different our understanding of the World of Art would be if he hadn't made his great discoveries in line, shape and form? It just goes to prove that you don't always have to think about things in a traditional way to create truly Great Art. 

And we're certainly glad that Mikaela didn't! Look at these beautiful colours! Mikaela chose her palette very carefully, paying close attention to colour theory and visual narrative. She had great fun interpreting Picasso's Still Life with Skull, Leeks and Pitcher from 1945, with some of her own ideas in colour, composition and texture. Mikaela was delighted with her final project, and we have to agree. We think the results are just stunning! 

Mikaela is proud to display her beautifully-arranged work. We love her sophisticated choice of colours!

We really enjoyed exploring and interpreting the work of the Great Artists during our unique Easter Art Activity Camps this week. We learned so much and all of our budding artists had great fun interpreting their favourite works using their unique artistic vision. We hope you like them too! Write us a comment below and let us know which are your favourite works of art! 

For more information on our Art Programmes or Camps, call us on 25805028 or email: info[at]colour-my-world[dot]com for more details.

Humpty Dumpty Easter Art Camp!

Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall.
But all the King's horses and all the King's men, couldn't put Humpty together again… or could they?

It’s that time of the year again, and we are having a blast with our Easter Art and Drama Camps! Throughout the break, we have been cutting, sticking, painting, moulding, decorating, improvising, acting and playing games with our kids aged 4-10 years. And how much fun they are having!

In our Humpty Dumpty Workshop for our younger artists (aged 4 - 6.5 years), poor Humpty Dumpty had to be put back together again by our trusty team of egg-gineers. Led by Mr. Cannon, Mr. Ian and Miss Kass, our industrious little egg-heads learned how to cast and mould these adorable little Humpties using paper pulp 'Plaster of Paris'. Then, while waiting for the Humpties to set, they also learned how to use bricolage, fabric, card and other mixed media to create some gorgeous backgrounds for one of our favourite nursery characters. Finally, they added some paint, decorations and sparkly-warklies and…ta-dah! All fixed and as good as new - PHEW! (That was a close one). Now where did all the King's men and their horses go? 

Our recuperated Humpties loved their funky new look so much, they begged us to show them off in our Blog Gallery below. Now they've all gone home happily (ever after) to live with their owners, we thought you might enjoy seeing the fun we got up to!

Here is one we made earlier...

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Here are two adorable little 'twin' Humpties - they look a bit worried they might fall again, but thanks to our wonderful Art teachers, we've made sure they are sturdy and fast on their wood-panel backgrounds. So these Humpties can sleep tight tonight! 

This little Humpties could be twinsies :D How cute! 

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Some of our egg artistes also proved to be budding fashionistas, and we saw some very fashionable customisations being added. What do you think of these blonde bombshell Humpties? We love their chic hats and purses. So very now, dah-ling!

Strike a pose! 

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We really love the dynamic brush strokes used in this lucky Humpty's background panel. They make such a dramatic impact -  we can just feel the wind blowing at Humpty's back. WHOOOOSH!

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These Humpties by Tomoe and Linnea from our second camp group look pretty pleased with themselves, and we can guess why. Check out those snazzy buttons! 

Meanwhile, Scarlett and Petra's Humpties are beaming with joy at being put back together again. Look at those lovely smiles! 

We love how Anabelle's Humpty is sitting so pretty on the wall (what lovely pink buttons!) while Derek's Humpty is busting some pretty fine balancing skills on his. Impressive!

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What do you think of the results? We think they're rather egg-cellent, don't you? Do you have any Humpty Stories you'd like to share with us? Don't forget to leave us a comment below! 

Some Humpties wait to be collected after a fun-filled day at camp

If you missed out on these camps, don't worry. We still have one camp running on 29th-30th April and May 2nd. Come along if you haven't already and try your hand at making a Humpty of your very own :) 

Call us on 25805028 or email: info[at]colour-my-world[dot]com for more details. 

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The CMW team
April 2014